Print Care
The shop description includes the exact type of paper your print is made on. The best printmaking papers are made from archival cotton fibres. This type of paper is textured and soft, can withstand ageing and the pressure of the printing press. Conversely, ordinary paper is made from acidic wood pulp which turns yellow and brittle over time. The print has ragged edge called a “deckle”. Printmaking paper is traditionally torn down instead of cut. This showcases the cotton fibres and indicates that the paper is high quality and printed by hand. Take care when picking up prints to not crease the surface or touch the inked area. Holding a print by the corners helps avoid creasing. I pick up prints holding two diagonally opposite corners.
Framing the print will help protect it. Most of my prints are available in standard sizes like A4, which makes it easy to find an affordable pre-made frame either online or in a shop. Hang your print out of direct sunlight to preserve the colours. Some prints are “not lightfast”, meaning the paper colour will fade in direct sunlight. This is noted on the product page.
Paper is fragile, but with care will last hundreds of years. If in doubt, get in touch and I will be happy to advise.
What is an edition?
Original prints are released in “editions”, a set number of copies that all look the same. Same paper, same colours, same composition, made during the same printing session or "print run". Colours may look different in various light sources, and your screen might display colours slightly different to the actual print. Underneath the image is a strip of handwriting to verify the print's authenticity as an original. From left to right you'll find: a fraction telling you the print number (number 1 out of 4, for example), the title (if there is one), and my signature. Traditionally a print is signed in pencil but you may find your print signed in something more colourful. I like to bend the rules! My editions are small, under 20 copies, so your print is exclusive and unique.